#venezia79 This film is a talkie, not a Walkie-Talkie, literally. It might work for stage, but not for cinema. The screenplay is not organic enough. The guy beside me cried 一塌糊涂. Sorry, my brain doesn’t work like that. Maybe I’m not “talented, intelligent or sensitive.” The most joyful moment is to see how lively the father Sir. Anthony Hopkins is.
麦格芬MGF:121.76.213.143
Spoiled young rascal. 事件就那几个梁卷入纠纷-被撞/枪杀&彭介入-彭探索&(做作而莫名的)情愫-找到关键线索-彭卷入纠纷&警察破案-狱中呓语闪前、闪回声音与旁白模糊的主角心理动机日日摸夜夜添夜夜添欧美毛片都是为了方便客观现实与主观现实的切换派头十足但遮掩不了偷懒编剧(彭每次与悬疑主线发生关系皆巧合)与浅薄人物的致命伤里面任何人物的心理都是无关紧要的王砚辉是摆设张艾嘉经历了啥也不重要彭是在求啥、怎么变的也无所谓(他女朋友/情人又是干啥来的)持枪分子又说明了什么打架、打枪酷在哪里这就由不得观众困惑而生气了:What to make of all this?