其实是第一次看嘻哈风音乐剧开始不太适应但Burr唱的所有都狠抓我后来rewind的模拟倒放桥段好惊艳 rap来展现国会辩论的桥段简直不能更恰当觉得惊喜可惜是还是要分神看字幕漏掉不少表演另外就是对历史也了解得很肤浅欧美老肥妇BBWBBWBBWPICS不能get更多夹带的乐趣喜欢结尾重唱开头的几首曲子唱出不一样的意味喜欢Eliza说 I put myself back in the narrative到她说 u really do write like ur running out of time开始泪目最喜欢Who Lives, Who Dies, Who Tells Your Story/My Shot/Say No To This/History Has Its Eye on You
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.