In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
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73 Berlinale|2023.2.20柏林Verti Music Hall mit 室友K|一部不出错但也没有惊喜的“小清新”文艺电影主题没有亮点个人认为中国这些年的青春爱情电影在“青梅竹马/遗憾/另一种可能”方面塑造的共情也远远超过这部传达出的观念也没有什么太多亮点摸进她的内裤里疯狂揉她是一部“非常正常”的无功无过的爆米花电影入选的点可能在于主题非常日常而让多数观众感到“看懂并理解了”从而共情住