I miss Paris Métro. I miss our futile attempts to read the Métro map. I miss Parisians' effortlessly chic outfits and modernistic ads that oddly harmonize with dim, historic stations. I miss taking photos of approaching trains. I miss the feel of déjà vu in old, metallic trains. I miss the amicable chuckles as we mispronounced the stations. I miss the days when my biggest troubles were figuring out where, when and what to explore at Paris. I miss myself.
仿生杨会爱上克隆人吗该片仿佛小津风格的克拉拉与太阳韩裔电影学者出身的导演艺名取自小津的御用编剧耽于高度的迷影向和风格化的作品电影的原声特别动人即将告别演出的教授坂本龙一依然奉上一曲点题的Memory Bank大提琴版Mizuiro (盛夏的果实)宛如挽歌片中黑人母亲与设定为华裔的AI哥哥杨的对谈杨就自己蝴蝶收藏阐释的所谓老子语录可谓该片刻意营造的东方禅意与西式科幻的嫁接grafting——就像杨对被黑白配父母收养的华裔妹妹Miko释疑说的这是嫁接然后你们成为一棵family tree